336 Royalty-Free Audio Tracks for "Impulse Synthesis"

A digitally modelled impulse response of a location. I use these impulse responses for sound implementation in games, but some of these work great on musical sources as well.

Recorded a clap in my bathroom with no shower door or curtain with a zoom zh1 @ 96khz 32bit, denoised with izotope rx, flattened spectrum slightly by matching with pink noise.

Impulse response of the famous digital reverb unit rmx16, in its most popular configuration: nonlinear.

A couple of ir from a field recording at carnarvon gorge amphitheatre, a very subtle sandstone acoustic, not a big reverb, but warms up a flute nicely. . . . This place is an ancient aboriginal initiation site.

I made changes in the impulse response of the fisher k-10, i used a demo of the fisher spacexpander on youtube that had a warmer sound, i did eq match using small sections of the video where the audio is dry or wet, i did this sin several times and the result was fantastically similar. The reference used: https://youtu. Be/17x9fqbjbfw.

Example keys processed with ir dbl ms verb first dry then wet then wet stretched.

Custom metronome sound recorded with a zoom h6 xy.

Recorded a clap in a quiet winter snow-covered forest in rural ontario. Can be used for an impulse response. Not ideal, but interesting anyway! recorded with a zoom h2n recorder.

An impulse response, made with vital softsynth, simulating the responce of a bunch of strings tuned to notes of bohlen—pierce scale. Specifically, a middle ground between 13 equal divisions of a tritave (interval 3/1) and the just-intonation bohlen—pierce scale. (for no particular reason. ). Convolving with this might add some xen flavor to your sounds, even if you play in standard tuning 12edo. I tried it with surge xt’s hammered dulcimer patch (i love hammered dulcimer!) and heard some additional shimmering.

A couple of ir from a field recording at carnarvon gorge amphitheatre, a very subtle sandstone acoustic, not a big reverb, but warms up a flute nicely. . . . This place is an ancient aboriginal initiation site.

Synth.

Simple frequency modulation with one carrier, changing basic feedback parameters.

4 oscillators and pan modualtion.

C4 trumpet synthesis.

Impulse response of the guitar loudspeaker captured by the audix i5 microphone.

It’s a mix the 80s gated reverb and the fisher k10 stereo (gated), this is an experiment that i did combining a thicker reverb with low frequency, with an impulse response from a 60s spring reverb unit, which brings a movement nice in the mix.

The giant 1000 liter wine tank at red maple vineyard in the hudson valley - west park, ny. This sounds amazing for "old vocals"a very springy plate tank reverb. Complex and colorful. White and pink noise was played through two speaker exciter transducers attached the outside of the tank. 12gaugemicrophones black212 blumlein microphone inside the tank into behringer xr18, logic pro. Feel free to use as you like but please do mention the source if you can. @manysounds.

Linear decay produced from stereo pink noise to reproduce 80's plate reverb in a convolution reverb plug-in. This can be filtered to find best character.

Warning! loud noise! this sound is not intended to listen to, but to do technical measurements!. This is a test recording i made to measure my headphone's frequency response. It plays a nice "left" and "right" to determine the channels. Then it plays back white noise first in both channels, then one at a time. Then the same with sine sweeps. Then short impulses.

Sound synthesis made from chuck programming language. The model is a connection from an impulse generator to 40 digital filters to 40 delay linesand set feedback between each delay lines. Each delay lines's delay time and cutoff frequency is random. But there was an error in the calculation and the output value overflows. And this create a chaotic behavior in this sample. - - -. This one is a smooth rising soundwith alternating digital aliasing resonances at the end.

This a substractive synthesis.

D4 sharp trumpet synthesis.

Consonants captured using simplesong mac os 9 based on plaintalk (macintalk 3) vocal synthesis engine.

A little wavetable synthesis sample.

Massive synthesis sounds.

A basis for an alarm, made in native instruments massive, using the roughmath ii waveform and modifying it using effects built into massive and into the daw.

Pitch bent & filtered sawtooth effect.

Cat sound wavetable in xfer serum with filters and lfos.

Here's a basic example of working in subtractive synthesis: adding oscillators, changing waveforms, filtering, adjusting portamento.

A hydrophone recording manipulated by granular synthesis.

Re-sampled loop point stretching.

Edited song trying to sound stressed.

Simple experiment reorganizing the onesoundperday2018 january soundpack qu-bit nebulae 2 module and a bunch of modulation. Here are the original sounds:https://freesound. Org/people/cabled_mess/packs/27630/.

Simple experiment reorganizing the onesoundperday2018 january soundpack qu-bit nebulae 2 module and a bunch of modulation. Here are the original sounds:https://freesound. Org/people/cabled_mess/packs/27630/.

Pulse responses from great british spring reverb processed with equalizers, tube preamps and compressed with analog tape.

Tube spring reverb unit compressed on the tape.

This is a 24-bit 44. 1khz impulse response recorded at the very acoustically interesting notre dame in new york city. The stereo x/y mics are oktava small-diaphragm microphones running into a sound devices 702.

Honestly, this is one of the coolest things ever. Just drag this impulse response into your ir reverb plugin and it will make everything sound like it's in a space suit / glass helmet. Really handy for an astronaut speaking, for example. I bought a massive, round, glass fishbowl to record this. Recorded with a zoom h4n. If you are as blown away as i was with this, give me a sub and like on youtube!. Fractanimal.

Sound obtained by using some of the tassman step-sequencer along with the analog synthesis module. Then adding reverberation effect inside of tassman software and directly recording. No sound editing. No mastering. No limiter.

Bass drum synthesized in chuck programming language. 3 resonance filter, 1 impulse and 2 sin oscillators.

Sawtooth waveform of frequency 440hertz and 5 seconds generated with audacity.

This the result of the assignment 10 given to us in aspm course at upf.

Basic treatment of voice with csound algorithm.

Output waveform from the assessed lab for speech processing (lasc11065). The wave was created using the festival speech synthesis system version 1. 96 beta (july 2004), with one of their own available voices (male, scottish english).

Aggressive fx effect for a special use in track. Delayed and compressed. Made in music studio.

A weird nice little string i've made using synthesis.

A weird sweet string made using synthesis & heavy usage of granulizing.